Pulse Magazine is a student lifestyle publication covering culture, creativity, and campus life. I contributed selected spreads and illustrations across multiple issues—each one offering a chance to explore layout, typography, and storytelling in print.
My role focused on designing individual features and sections that aligned with the tone of each article. These pieces reflect my love of editorial design and my interest in using layout, color, and hierarchy to shape how stories are experienced on the page.
The Filtered Face
Digital magazine cover titled "The Filtered Face" featuring a portrait of a young woman edited with a face-altering app. The image is split down the middle to show a dramatic before-and-after comparison of unretouched and retouched facial features. Text at the top notes the changes were made in under 15 minutes using the FaceTune app. Designed by Isabelle Grotting, the cover critiques beauty standards and the impact of social media filters.
This feature spread explores the psychological impact of beauty filters and digital editing on self-image in the age of social media. Highlighting how editing tools like FaceTune can dramatically alter facial features in under 15 minutes, the article examines how routine exposure to altered images reshapes users’ perceptions of beauty and self-worth. From the normalization of Eurocentric standards to the rise of body dysmorphic disorder among teens, the spread calls attention to the often-overlooked consequences of constantly curating one’s face to fit algorithmic ideals.
Rotating spreads from ‘The Filtered Face,’ a multi-page editorial layout exploring the impact of social media filters on self-perception and mental health. Designed using overlapping transparencies, color gradients, and altered portraits to visually reflect themes of digital distortion, identity, and insecurity.

Editorial spread for The Filtered Face, a feature on how filter apps like FaceTune distort beauty standards. Designed with layered transparencies and manipulated portraits to echo the emotional and visual distortion young people navigate online.

The design concept mirrors the distortion and duality created by filters—using overlapping transparencies, color gradients, and manipulated portraits to visually echo the article’s themes of digital perfection versus lived reality. Layout and visual pacing were crafted to balance emotional resonance with clarity, supporting a narrative that questions how editing tools shape modern identity.
Redefining Rape
Portrait of a woman standing against a black background with powerful statistics on sexual assault hand-lettered across her skin in bold black ink. Text includes phrases like “two-thirds of college students experience sexual harassment” and “less than half of all rapes are reported,” visually confronting societal misconceptions about rape. The image is part of a photo-illustration series titled “Redefining Rape” for PULSE magazine.

Opening image from the “Redefining Rape” photo-illustration series for PULSE magazine. Designed to challenge harmful myths around sexual assault, this collaboration with a photographer and creative director features hand-lettered statistics painted directly onto the body—merging data and design to amplify urgency and truth.

This photo-illustration series was created for a feature titled Redefining Rape, which aimed to confront misconceptions about sexual assault through striking visual storytelling. Developed in collaboration with a photographer and creative director, the project used hand-lettered statistics painted directly onto the body to amplify the article’s urgent message. 
The series was a nominee for the Society of Professional Journalists’ “Mark of Excellence” Awards and contributed to the issue winning Best Feature Magazine at the 2019 ACP Conference in La Jolla, CA.
The Bechdel Test
Originally introduced by cartoonist Alison Bechdel, the Bechdel Test is a three-part measure of female representation in film: a movie must feature at least two named women who talk to each other about something other than a man. 
Editorial illustration depicting four animated female characters of varying appearances gathered in a cozy, warmly lit living room. They’re seated with popcorn and drinks while watching a television off-screen, referencing a discussion of media. The visual supports a feature on the Bechdel Test, using a soft cartoon style and symbolic setting to explore themes of representation in film.
Editorial illustration for a feature on the Bechdel Test in Pulse Magazine
This editorial feature examined the cultural relevance and limitations of the test through student perspectives and film critiques. The layout used a warm, illustrative style and editorial hierarchy to draw readers in, while the character-driven visual concept reinforces the article’s conversational tone and makes the topic approachable for a campus audience.

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